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These publications responded to the public’s demand for more news and views of the natural world. For example, a Scottish encyclopedia published in 1859, Chambers’s Encyclopaedia: A Dictionary of Universal Knowledge for the People, sought to broadly explain the natural world through woodblock illustrations of mammals, microorganisms, birds, and reptiles.
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Publishers soon followed with well-received field guides and encyclopedias detailing observations of what were seen through early microscopes. Initial popular entries included John James Audubon’s “ Birds of America” and Charles Darwin’s “ The Origin of the Species“-groundbreaking at the time for the clarity of their illustrations. This art-science formula was further democratized in the 17th and 18th centuries as the printing process became more sophisticated and allowed early ornithologists and anatomists to publish and disseminate their elegant drawings. Flemish artist Peter Paul Rubens, for example, offered remarkable insight into human anatomy in his famous anatomical drawings. Artists and artistic naturalists were also able to advance approaches to the study of nature by illustrating discoveries of early botanists and anatomists. This allowed for wider study and classification of the natural world.Īrt played a role in advancing the natural sciences in the Renaissance period, such as Rubens’ human anatomical studies. It brought together the fledgling discipline of natural history-a field of inquiry observing animals, plants and fungi in their ordinary environments -with artistic illustration. The Renaissance, a period in European history between the 14th and 17th centuries, breathed new life into both science and art. BioArt and similar contests reflect the lengthy history of using imagery to elucidate science. The BioArt Scientific Image and Video Competition, administered by the Federation of American Societies for Experimental Biology, shares images with the public that are rarely seen outside the laboratory in order to introduce and educate laypeople about the wonder often associated with biological research. That’s why scientists frequently turn to awe-inducing visualizations as a way to explain the unexplainable.
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What that stereotype misses is their passion for science as a mode of discovery. As a neuroscience and bioscience researcher, I know that scientists are sometimes pigeonholed as white lab coats obsessed with charts and graphs.
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#Wwe 3d lens software#
The lens and software will both be released in December.A winner of the 2018 BioArt contest, this image shows the intestinal villi of a mouse.
#Wwe 3d lens pro#
That’s a pricey combination, but not too much more than some dedicated VR cameras like the Insta360 Pro 2, and Canon’s solution should be a lot more versatile. The lens will cost $1,999, while the EOS R5 sells for $3,899. Canon calls this combination the EOS VR System and will be making the software available on a subscription basis.
#Wwe 3d lens update#
Canon is releasing a 1.5.0 firmware update for the R5 as well as a Premiere Pro plug-in and a standalone file conversion app called EOS VR Utility. The lens can be used to shoot up to 8K footage on the EOS R5, which appears to be the only camera it’ll work with. The fisheye lenses are 60mm apart and are designed for creating 3D VR images and video content Canon calls out the Oculus Quest 2 as a potential hardware destination and says this is “the world’s first digital interchangeable lens that can capture stereoscopic 3D 180° VR imagery to a single image sensor.” Canon has announced what’s easily the oddest glass yet for its EOS R mirrorless camera system: a dual 5.2mm f/2.8 fisheye.